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18th Century Artisan’s Show a huge success

You know an event has to be good when someone who is not a part of the event’s culture enjoys it, and such was the revelation by the Princess of Patience as she walked out of the 18th Century Artisan’s Show after three hours. Our Brooklyn-bred, pavement loving, city-slicker Princess had mingled with the nicest, friendliest, kindest, salt of the earth people at the Carlisle Expo Center and come out smiling. As she always does.

This show, the 18th Century Artisan’s Show, is all about black powder firearms and related accoutrements, longrifles, 1700s period clothing and related materials, horn and tin mugs, bone handled forks, wood and leather items. All made by hand here in America, many in Pennsylvania.

For a guy like me, not of pavement or city, a show like this is an assumed success before I even set foot in it. This year was the best ever, however, and when I left on Friday afternoon it was absolutely thronged and jam packed with people. If I had another couple hours to spend there, it would have been time well used. After all, there was a new possibles bag to find, and none of what I had yet seen fit my need. The Leatherman is a good stand-by source for rugged and large possibles bags, and as I already use two made by Gary Fatheree, I was in the hunt for a bag with more flair, more color, more personality.

Problem is, all of the pizazz bags are the size of my shoe. Like, it doesn’t seem possible that anything more than a short starter and a ball bag will fit in there. And if there is one thing I want a possibles bag to do, it is to hold all of the possibles I might need, including the kitchen sink. (“possibles” include all of the stuff needed to load and clean a muzzleloading firearm)

This had to be the best 18th Century Artisan’s Show ever, because it was the most filled with cool stuff, the best laid out, and the best attended by artisans and the public alike of all prior shows. The old venue was the Country Cupboard in Lewisburg, PA, and it was kind of tight quarters, with too many passageways and steps, and a requirement that you walk outside to the next building to see more vendors. At the Carlisle site, it is just one gigantic room, with all of the vendors spread out and visible. Best possible situation.

The only “thing” missing at the show was “Yesteryer,” that big huddle of fabrics and mannequins, bonnets and shoes, leggings and pants, waistcoats and longcoats, all of weird hand-ground linens and free range flax and slow roasted tweed, and all of the related 18th century clothing accoutrements that seamstress extraordinaire Barb Shaputis could assemble on the fly as she outfitted entire regiments of reenactors across America. Barb made my own 18th century longcoat for me, absolutely perfectly, with the “RR” buttons for the Rogers Rangers outfit well represented in the Netflix show “Turn.” I wear it every flintlock season, but thankfully, without a tri-corner hat. I have not (yet) gone that far. Barb is no longer with us to sell or make me a tri-cornered hat, and so that part of my life will be left unfinished as a memorial to sweet Barb.

Below are some photos I took of this year’s show. Like a kid in a candy store, I could easily have spent both days there. But then again, the Great American Outdoors Show is in full swing now, here in Harrisburg. So many fun choices! Thank you to all of the fantastic vendors at the 18th Century Artisan’s Show, many of whom are by now my acquaintances or friends. They not only make beautiful things, they also gather up all of their stuff and make long drives to Lewisburg, now Carlisle, and other venues, to give us historically-afflicted people the opportunity to switch gears and live life a little slower and lot cooler than usual.

Gunmaker and president of the Kentucky Longrifle Association, Mark Wheland is a central Pennsylvania artist who has made a beautiful rifle for me. I grew up trapping muskrats on his dad’s farm.

Brad and Shane Emig of York County are known worldwide for their exacting historical work, including making long rifles from complete scratch.

From Rochester New York hails Irv Tschanz, his lovely wife, and Jim Dell, purveying all kinds of beautiful hand-made crafts from leather, wood, horn, and metal

Jymm Hoffman sold me my anvil from a special run he had poured at a Pittsburgh foundry about ten years ago.

Here artisan Jim Dell measures the first wallet he made for me in preparation for making a replacement. Jim has also made our family double thick belts, a belt axe and carrier, and other “Olde Tyme” things we enjoy so very much.

The Leatherman is a big fixture in the black powder world, with founder Gary Fatheree (left) offering all kinds of high quality possibles bags, gun sleeves, cow’s knees, and other items from rare leathers. Clayton Miller(right) is the new proprietor with big shoes to fill

R.E. Davis makes highest quality locks and triggers, like Jim Chambers, whose booth I did not see.

A beautiful rifle for sale with a price tag demonstrating that many firearms are a bridge between art and utility, uniquely blending form and function.

Blacksmith Simeon England makes beautiful tomahawks and knives.

Long Islander Mitch Yates has that whole corner of America to himself. Honestly, is there a gunbuilder artisan of Mitch’s caliber anywhere in New England or eastern New York? I don’t think so. Nice guy, too.

You can pick out a fancy gunstock and a nice straight ramrod from a myriad of choices. The problem is saying “I have enough already”

Historically accurate black powder tools and serving utensils for sale, probably made by Shane Emig of York County

 

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