Josh First's Blog

A well-deserved Thank You to some stalwarts in the shooting sports

Since early childhood and Wyeth paintings of Captain Kidd and pirates bearing cutlasses and flintlock pistols, old timey guns and edged weapons have gripped my imagination.

No, there is no oddity here in that. There is no eccentric or weirdo behavior resulting from this affliction.  In a sporting world increasingly enamored of stainless steel and plastic firearms, bearing Hubble Telescope-like magnifying scopes capable of coldly assassinating animals at half a mile or longer, being a nut for simple guns of old steel, open sights, and darkened walnut sets one apart more on the side of sanity.

When these old guns last hurt someone, the War of 1812 was a recent memory; maybe some time in the 1890s a kid playing with one hanging above the mantle managed to unintentionally bag his grandma in the living room.

In 1994, a pile of them were dumped into the trash by one of my neighbors in suburban Maryland, because they were “guns,” and therefore bad, apparently, despite each one being representative of one artistic school or another, each a canvas of steel and wood, not fabric. Together worth a new luxury car at that time, and today each worth a single car.

Dumping them in the trash was that recent widow’s own self-inflicted wound.

In general, these quality antique firearms and their “modern” descendants, including the black powder express rifles, double barrel shotguns, nitro double barreled rifles, and single-shot stalking rifles, pose no risk to humans and are a threat to four-legged animals only when used with hard-won, developed skill and hard-earned, focused woodcraft. After all, these weapons require their user to approach wary wild game within at least 150 yards, and well within 100 yards is preferred, where noses, ears and eyes easily tell the quarry “RUN! NOW! FAST!”

No assassinations here.  Hunting skill is the key.

Many of these guns were made at a pivotal time in human and technological history when steels were dramatically improving in hardness and durability, explosives were well on their way to matching our best fireworks today, electricity-powered machinery was becoming more available and more precise, human labor was still abundant and relatively cheap, and standards of craftsmanship were still exceptionally high so that each item a worker produced carried his or her pride of best abilities applied.

Finally, remote stands of ancient walnut trees and other tree species, long neglected for their timber and enjoyed by the natives for their fruits and nuts, became known and available by steam locomotive, pack mule, and steam ship. Wood from these trees captured a time when few factors reared their hands against the relatively soft material, and so they grew slowly in peace and quiet in far-off lands and places, each decade adding a narrow band of dense and highly figured curl and figure to what would eventually become a stunning, valuable gunstock in London, Suhl, Ferlach, and Belgium.

Today, such firearms, and even reproductions of them, are highly sought after by harmless romantics seeking to hunt but not necessarily to kill, to capture the essence of bringing an aesthetically pleasing hand-craft to the necessary bloodletting in harvesting wild game; basically, to class-up and improve the joint a bit with style and understated elegance.

Certainly there are representations of this time period among our most favorite buildings around the planet, so if “guns” elude you, your emotions, or your tastes, think of beautiful, carefully constructed, famous buildings that inspire people (or furniture, or cars, or or or…). Then you should understand that those nerdy, harmless romantics actually carry such high art around in the woods, and that being a nut for such specimens of humankind’s best mechanical and artistic abilities is not such a strange preoccupation, after all.

It is an aesthetic pursuit, with a bang.

As this right here is not a book, and as it is merely my own small, off-hand, and brief attempt to say Thank You to people who have distantly but materially added to my quality and enjoyment of life, just three institutions are receiving mention today, though many many many more deserve kudos, too (Steve Bodio comes to mind, or Ironmen Antiques, and and and…).

First, a big thank you to the Cote Family, the hard working founding publishers of the Double Gun & Single Shot Journal (DGJ), 1989 to present. Without the DGJ, aficionados of old but not the oldest or most popular firearms would have but occasional and fleeting mentions in Grey’s Sporting Journal, American Rifleman, and hard-to-find tomes filled with errata and alchemy.  DGJ captures both the spirit of old hunting tools and methods, and the details required to make the whole endeavor successfully fall into place now.

Without the DGJ, Capstick and Pondoro and similar oldies-but-goodies would be most of the reading available to us.  Yes, yes, Roosevelt’s African Game Trails and his other hunting books are phenomenal, but how many times over can a person read them?

So a huge Thank You to the Cote family for keeping the DGJ going.

Second, DGJ hosts such gifted analysts as Sherman Bell, whose decades-long “Finding Out for Myself” series of articles has put to rest silly notions about using black powder and nitro-for-black substitutes (yes, you can kill a beautiful buck with style, elegance, and woodcraft, you do not have to be an assassin to be successful), the safety of Damascus barrels (yes, they are safe with modern shells), and other interesting myths and facts surrounding Grandpa’s old gun on the mantle.  Thank You to Sherman Bell, for enriching my life in small but directly meaningful ways with these beloved and useful artifacts.

Finally, a huge Thank You to noted gun writer Ross Seyfried, whose introspective writings and wanderings in DGJ and elsewhere have inspired many others to pick up the double rifle or single shot, and shelve the plastic contraption, once again capturing the spirit, at least, of fair chase. And Thank You, Ross, for your own steady, incredibly patient guidance and knowledge as I walk my own path.

Yes, I know, you too had your mentors, and they too held your hand and guided you along your path. We have walked those paths with you in the Matabeleland of Rhodesia/Zimbabwe and the hills of Elk Song in Oregon. But in a culture of increasingly shallow or fragile relationships, expectations of immediate gratification, point-and-click ‘knowledge’, plastic contraption guns, brief patience, half-mile assassinations of unstalked animals, and so on, being a junior apprentice to someone like you is a pleasurable rarity, and an honor.

Ross, I pledge I will do my best to follow in your footsteps and do as you have done with me: Passing along all of my knowledge of the old things, the old ways, the class and the grace — what little I possess!, to those who want them. I will withhold nothing from that next generation.