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Alec Baldwin’s snuff film

Hollywood goof Alec Baldwin just gunned down an innocent person on the mismanaged set of his new movie in the making, “Rust.”

There is all kinds of analysis and hand wringing and wonderment about how this murder ever happened, and who is really responsible for it. Let’s take a look at this issue, and in the end I will present my own take on ‘what probably really happened’.

Some people say that Baldwin is 100% responsible for the murder of Galina Hutchins and the serious injury of Joel Sousa, because he ignored Rule #1 of gun use: Never point a gun at something or someone you do not want to destroy (shoot). And of course it is difficult to argue with this line of reasoning. I agree with it. But others have sought to dilute and undermine this thinking.

Other people, notably the establishment press, are trying to find anyone to throw under the bus to save a bona fide Hollywood actor from being held accountable. Remember how much effort went into protecting Hollywood scumbag Harvey Weinstein? And Weinstein really was a lecherous monster who was feared and loathed by most of Hollywood. So how much more so will the establishment wagons be circled to protect a just regular kind of gay-hating, violent jerk like Baldwin?

For example, the establishment press keep writing that the revolver was a “prop gun.” Ummm no, no it wasn’t. It was a real gun. Obviously. But that doesn’t stop the mainstream media from trying to pretend this away as some sort of non-gun-gun-non-crime.

The establishment press also tries to say that other people were more responsible for the gun and how it was loaded etc etc than Baldwin could be. Again, no, because that danged real gun was used for target practice by many of the actors and set workers in the desert surrounding the movie set. They all knew it was a real gun and that bullets had been shot out of it a lot.

Here is what I think probably really happened: Rust was a snuff film, a la Jeffrey Epstein’s way of just having fun and never being held accountable for it, no matter how evil and wicked.

Recall ol’ Jeffrey Epstein, the child sex slave trafficker whose pedophile island hideaway was frequented by the rich and famous like Bill Gates, Hillary and Bill Clinton, and others. The same Jeffrey Epstein who was strangled with a wire garrote in his prison cell while the cctv cameras were turned off and the guards mysteriously walked away. A guy with a lot of names and knowledge in his head, who had to be shut up before things got public and messy.

This is to say that with incredible wealth and power comes incredible debasement and debauchery. Harvey Weinstein and Jeffrey Epstein epitomized the more openly grotesque aspects of it, as well as Epstein’s teenage girl sex party guests, and I think the murder of Galina Hutchins was probably a more subtle expression of one untouchable person’s secret desire to do something unimaginably evil, in the open, and then get away with it.

If this is true, and why not, then Alec Baldwin purposefully murdered Galina and then tried to blame it on everyone else. But inwardly he is gleefully laughing — he got away with it! With murder. And no one will ever try to hold him accountable for it. Because bully boy Baldwin is one of the many untouchables in America these days. People who commit pedophilia rape, murder, treason, and simply walk away from the scene of the crime because the entire cultural and political establishment surrounds them and protects them.

It is quite probable that Rust was actually a cheap and slovenly run movie set because it was never meant to actually be a movie. It was probably just an elaborate opportunity for Baldwin to live out one of his many sick fantasies, and never be held to account for it.

Just my theory, anyhow. It certainly is possible, because if we look at all the insane crimes that all the other American elites have gotten away with (and I am not even mentioning innocent young Mary Jo Kopechne, the sweet girl murdered by Democrat senator Ted Kennedy, another untouchable elite), murder in the open was just the next logical thing for one of them to do and then go laugh about behind their closed doors.

Talk about rust, this murder is an example of how America is becoming a diseased, corroded hell hole from all this unaccountable elitism. Like a bunch of Emperor Neros prancing around, hurting people and hurting America, with zero consequences…but unlike the Roman citizenry, we Americans do have the means to take matters under control.

But do we have the will power?

So, so many fake Japanese swords

A quick ebay search for “gendaito” results in dozens of purported Japanese katanas for sale.

Hand-made “art sword” gendaitos were very few in number to begin with, maybe a few thousand by 1944, and after 1945, when Japanese swords of all qualities were being melted down, there were a lot fewer left.

When I began collecting antique Japanese swords in 1993, it was a pretty structured environment with plenty of Vet bring-backs available through newspaper ads and at gun shows. But most of those swords were basic Showa shin-Shinto machine made swords of solid stock. Created en masse for Japanese NCOs, they were the great bulk of “samurai” type swords captured and brought back to England and America after WWII. Though justifiably iconic in their own right, as they are beautiful weapons by design, none of them were art swords. None were made by hand in 1562 by a famous swordsmith.

Enter China. And with her came all kinds of fakery of every kind of antique collectible you could ever want. Guns, swords, knives, bayonets, not to mention shoes, purses, clothes etc. The first faked Japanese swords from China were easy to spot. Some were laughably crude, some were pretty good but either missing or overplaying critical aspects of real antique Japanese swords. Either way, only the most gullible or inexperienced buyers took them.

Today, however, you can find practically mint condition gendaito or older swords, with a nice new reddish rust on the tang, selling for half or a third of what such swords used to bring. Lots of them. Most of these fake blades are in authentic WWII military fittings, giving them a false air of authenticity.

The reason for the price drop is that so many fake Japanese swords have been brought to market that the natural demand and market absorption is oversaturated. Thus, supply exceeds demand, and price drops accordingly. Greedy dealers looking to enrich themselves at the expense of  would-be collectors have driven this dynamic.

Oh, there is a demand out there for real Japanese swords. People from all walks of life recognize how perfect these edged weapons are, and how refined and representative they are of the warrior ethos. Japanese swords are iconic, and therefore inspiring. They bring a lot of happiness to their owners, if only to serve as reminders of the old ways, like when men were men.

But sword dealers have now definitely overplayed their hand. The evidence of this fakery is overwhelming.

There is not only no possible way that one dealer can have so many authentic Japanese swords for sale at any one time, and there are dozens of dealers each stocked to the gills with fake swords being represented as authentic antiques, there is no possible way that this many authentic antique Japanese swords were ever available at one time in any one market, except maybe on the entire island of Japan in 1944.

After 1944 and Japan’s fall, swords were outlawed by the Allies, and they were destroyed by the thousands. Just like fabulous rifles in Germany and Austria were destroyed by the Allies. Though highly lamentable, it was all done to protect our troops. Very few Japanese swords or German rifles made it out alive, so to speak.

If I were to describe the ways these fake swords leap off the virtual pages of ebay and other sellers and scream “I am a fake,” I’d write a book. However, I’m just disgusted by it all, and writing a book is not in my future. However, here are some things to look out for: 1) tangs that have reddish rust. A true old worn rust is tough to fake. 2) file marks on tangs running the wrong way. 3) Tang inscriptions that are either perfect or that are cut over the defined edges. 4) Blades that are perfect, or that have a perfect yakiba or perfect hamon. This is the biggest red flag of all. Most Vet bring-backs were abused by the soldiers themselves, through horseplay. The swords were then used by kids in the 1950s for horseplay and cutting experiments. These swords were not then that valuable or collectible, so they were rarely protected from use or abuse. They were simply the artifacts and relics of brutal, cruel, sad warfare that their captors wished to forget. So to see so many shiny, smooth, perfect blades represented as antiques is a huge red flag. Very very few actual antique Japanese swords made it to 2017 unscathed, either through actual battle use or more likely, through abuse in American backyards at the hands of playful boys or demonstrative uncles in the 1950s-1970s. To see such incredibly distinct hamons on so many “antique” Japanese swords is a huge red flag. A real antique blade will naturally lose its luster over time, and the hardened cutting edge will follow that process, to the point where it becomes faint and barely distinct. Most blades will show clear splotches, discoloration, some rust, from having sat in a basement or living room for 70 years.

Guys, it’s tough to say this, but a lot of you are buying fake Japanese swords that are in reality made recently in China for the American collector market. It’s cliche, but caveat emptor. Ask yourself and your seller some really basic questions. The most important question to a seller being: How on earth do you keep finding these very rare swords, in such high quantities, in such incredibly good condition, to sell at such low prices?

You know the answer, or at least you should know it. The sad answer is the sad fact that it appears about 90% to 95% of the purported antique Japanese swords being sold today are fakes, most likely of recent Chinese origin (Pakistanis are getting better at making old looking edged weapons, too).

Do your research. Think hard about how each sword now for sale made its way to market. You’ll come to the natural and healthy conclusion. And you’ll run away, and save your money for real antiques.