Posts Tagged → Orwell
Shen Yun thumbs up review
Somewhere in the time frame of 1971 to 1974, a troupe of Chinese acrobats and dancers put on an incredible performance at Penn State University’s Recreation Hall. Despite having been a wee lad up in the bleachers that evening, I can still now recall moments of their performance with shocking clarity, such were the amazing skill and feats of strength they brought to the American public.
Lots of male and especially female displays of traditional weapons mastery – spears, swords, knives – whose choreography defies even an aged and highly skeptical intellect decades later, as well as incredible and frankly unbelievable balancing + acrobatic + martial arts acts with tea cups and people, bending iron bars that the audience members were invited to try etc etc.
And now looking back, I realize that those early 1970s Chinese performers must have been the last of their kind, or maybe they were exiles, such was the crushing tyranny of Mao’s “Cultural Revolution” aimed at stamping out through murder, torture, and literal destruction of every single thing that had made China China for the past five thousand years. In any event, in Rec Hall that night I had witnessed history.
Well, fast forward about fifty years, and into the intervening gap steps Shen Yun, a modern show about “China Before Communism.” That is, before all that Mao Cultural Revolution communist crap that has destroyed one of the world’s great nations and culture. Begun in 2006, Shen Yun performances have been evolving and growing for the past sixteen years, and now boasts eight geographically dispersed troupes regularly impressing audiences around America. The Princess of Patience and I saw one such troupe in Pittsburgh, PA, this past Sunday, at the historic and beautiful Benedum Theater.
Looky here, I am no theater or musical show kind of guy. So don’t go on reading further here and expecting to encounter the usual aphorisms and adjectives “professional” art and theater critics regularly provide through their Pez dispensers.
What you are about to read is my own unvarnished layman perspective, as told from the guy who almost always falls asleep as soon as the lights go out and the curtain rises, and who is then awakened either by the sharp elbows of the theater goer to my left or by the Princess of Patience to my right. Apparently I think I am not snoring when I sleep in a theater, but in fact I do snore.
Apparently one play was stopped mid-scene while an actor asked someone to stop me from snoring, such was the distraction. What can I say, few theater performances are memorable to me. Men singing…bad. Men dancing in tights and playing dress-up…really bad. Theater and especially musicals and most especially opera are all a refined form of torture. If a play is any good, it will become a movie, which I might see and during which I probably will not fall asleep. My highly educated and experienced opinion here.
But, such is my love for the Princess of Patience, that I bought tickets and took her to see this updated version of whatever it was I had been mesmerized by fifty years ago.
To its credit, Shen Yun kept me awake. We can joke, but that is actually an achievement.
Shen Yun’s scenes or performances are relatively brief, each probably five to seven minutes long, and also varied. That constant change helps keep the audience’s attention focused. The subjects are about traditional Chinese culture, love, war, good vs. evil, history, spirituality, chivalry, family, and the performers wear culturally appropriate dress in each scene. They also have an act about forced organ harvesting, the current real-time inhumane insane crazy can’t believe this is happening actual action of murdering political prisoners and transferring their healthy organs to the unhealthy bodies of Chinese citizens who are “more equal”* than the 99.99% of the Chinese socioeconomically beneath them.
*(George Orwell, author of dystopian novel and a foreshadowing message about the present political situation in both China and America 1984, coined this phrase more equal than others in his other dystopian novel Animal Farm, where the political leader pigs betray the farm animals’ revolution against the humans and go on to corrupt the original commandment that all animals are equal in order to keep their pig selves in unintended, constant, never-ending more equal than others tyrannical mastery over all the other animals)
Something I had not seen before is Shen Yun’s use of a digital screen as the stage backdrop, instead of the traditional painted screen that would form the background for the stage in each scene. Shen Yun uses different digital backdrops, often several different ones, in each scene. They are crisp, clear, and bright. They also allow for cartoon versions of the actors to soar through the air or run away over the horizon. Maybe this is old technology, but it is a first encounter for me, and I liked it.
Things I liked about Shen Yun: The amazing dance, ballet, tumbling, and acrobatic abilities of the professional actors, the incredibly tight and perfectly executed choreography, the superior talent of the live orchestra members, and the bright and flowing costumes that must be a real b#tch to move around in. I liked all the subject matters. The simpler weapons handling wasn’t intended to be anything like the old days, but it adds a nice change to each story and act. The pleasant combining of traditional Chinese music with a modern European/ Western orchestra is very cool.
Things I did not like about Shen Yun: About a third of the acts are repetitious, despite using different costumes and some different choreography, with the same sweeping “windmill” arm motions of the actors in each one. Consider that the one act that brought the loudest applause was about a traditional Tibetan dance, complete with very different moves and costumes. Another thing that irked me was how MC/Announcer Perry’s suit crotch was obviously rumpled. Probably because I am not a regular suit wearer, my eye was immediately drawn to this unprofessional and uncomfortable anomaly. Come on, Perry, your suit must be cleaned and pressed before each performance. Even a knuckle dragging lug like me knows this.
In conclusion, I spoke with half a dozen members of the audience both inside and outside the theater, and everyone liked it. Some appreciated the simple artistic expression, despite not synching with the political, religious, or cultural messages. Others really liked the occasional blips of overt religious messaging, which if I had to guess is some sort of Bhuddist messianism that most Christians can relate to in one way or another. One audience member I spoke with said that she is politically liberal, but that she was not bothered at all by the political or religious aspects of Shen Yun: “I don’t have to agree with it to enjoy it. This is just their own artistic expression and I am here to see it and enjoy it as it is,” she said to me.
Amen.
Benedum Theater is worth visiting just to see the beautiful interior
Benedum Theater ceiling
Benedum Theater interior
If I had a big social function, I would have it at the Benedum Theater. Tons of cozy little nooks like this
If I can’t get front and center seats, I won’t go see an event that has a stage.
Shen Yun audience had everyone old, young, in between, Asian, black, white, purple…
Some parts of Pittsburgh have not been successful. Around the block from this ancient bar and hotel we encountered what had been a recently built very attractive state of the art Martin Luther King, Jr cultural resource center abandoned in an overgrown lot
Pittsburgh smartly employs vehicles powered by clean burning propane
The entire city of Pittsburgh is stunningly beautiful. This one column is representative of the beautiful hand carved stone buildings from the Victorian Age to the 1940s. Thanks to industrialists like the Mellons, Carnegies, Olivers, and Benedums, Pittsburgh is a world hub for architecture and science
Koo koo for KoKo Puffs, Crazeeee for Covid
Having deigned to come down from the mountain and mingle with the lowlanders (‘flatlanders’ around here), I was immediately struck by how many people I know in my neighborhood who are still taking the mask thingy so seriously. Wearing the mask like a religious burka, looking all sincerely severe and all. My friends have struck a significant pose with all kinds of massive wrap-around masks that are nonetheless colorful and playful.
It is the ultimate virtue signal: Gotta be some joy in your self-imposed death march, right? Make sure your mask is cinched down real tight and has the requisite flowers or symbols of humor to show that you are not really taking it seriously. Yeah, right.
Recently former Arkansas governor and politico Mike Huckabee said that liberals don’t want to relinquish mask requirements, because they have achieved so much iron-fisted control over so many Americans. Big-government fascist governors Wolf (PA), Whitmer (MI), Newsom (CA) and others have no science on their side, but they are goose stepping down the mask wearing street every day anyway. “You will comply!”
These fascist governors are afraid of what the citizens will do when they rediscover their own freedom, Huckabee says. And while Governor Huckabee is correct, what about people like my friends who take on the onerous and bizarre mask self-requirement? These otherwise fine people are purposefully disfiguring themselves with these ridiculous masks.
Their mask-wearing has to be more than virtue signaling, and it has to be more than fear. Because the mask wearers are surrounded by maskless people going about their lives happily and healthily, there ain’t a whole lot of self-evident virtue or health to be gained from the mask. So it is something else that compels them.
Here is what I believe mask wearing means to mask wearers: It is the personal worship of something larger than themselves. Mask wearing has become the physical and very public demonstration of a belief in something higher and more important than the individual; a sublimation of the self to a higher good.
“Islam” means to submit, and mask wearing is a form of personal submission to some greater authority. It ain’t a coincidence that the Islamic burka and the covid mask both are symbols of personal submission and self-denial. And it ain’t a coincidence that 49.8% of the voters in Dauphin County voted yesterday to continue to grant the Pennsylvania governor the un-ending authoritarian power to keep fake emergencies and crises going for as long as the governor wants. The mask wearers don’t like freedom.
So while Governor Huckabee is correct that authoritarians like Governor Tom Wolf (PA) covet the power over people that the mask commandment has given them, there is another side to this power transaction too. It takes two to tango. That other side is the desire (not just the willingness) of everyday citizens to literally give up their freedom and comfort and happiness and sacrifice it on the Altar of Fake Covid Crises. The mask wearers literally believe they are worshiping something greater than themselves, and it gives them a sense of purpose they could not find when not wearing a mask.
This gets to another and bigger related issue, as if there could be anything bigger. It explains why so many Democrat Party governors engaged (and are still engaged) in the heavy-handed fake and unnecessary covid crisis lockdowns and mask edicts, and also why the Democrat Party stole the 2020 election in the first place. The Democrat Party knows that a large portion of Americans have become not just complacent and lazy, but willingly, almost slavishly devoted to silly causes and fake crises, to the point where they will happily sign over all their freedom for a very shallow sense of personal fulfillment.
The Democrat Party either believes or knows that the actual resistance to their forced and unlawful takeover of America will end up being very little, if anything at all.
Does anyone remember the movie The Matrix, and how the enslaved humans were living in a make-believe world created out of chemicals and human imagination? That is what is happening now. And if we add this Matrix -style method of ruling over Americans to Orwell’s 1984, which Democrats have embraced as a how-to manual, and not as a warning against totalitarian government, we can finally understand what the Democrat Party understands and is fully implementing: Humans just want to be lied to and led.
Mask wearers say: “Free will and free choice is just too damned hard. Just point me in the right direction and I will willingly obey. Gosh that feels good to have no more friction or hard decisions to make in my life!”
And this is why mask wearers are crazy for covid.
Appeasement is evil, because it allows evil to triumph, and other reflections of the past week
This has been both a rewarding and tough week for me.
Like many, I believe more in ideas than party allegiance. America stands for something, and the ideas at its foundation are a form of religious belief for me and many others; no surprise there, as America’s Judeo-Christian Biblical roots are well established. So, my loyalties lie with people who stand for something good, and I am opposed to people in public office who either stand for money alone, or for fluff. An elected official who will not roll up his sleeves and fight like a demon for my beliefs, for traditional American values, is not someone who is going to get my support.
The Eric Cantor self-destruction story in Virginia is all about this same thinking. It is what permeates the “Tea Party” movement. It is a basic gut-check of what is simply right, and what is obviously wrong. Politicians like Cantor do not have that same gut-check ability, or they long ago lost it. They then lost me and a lot of others, too. As painful as Cantor’s loss is, it is also very rewarding: The American People are not asleep, and David Brat’s win is hopefully the beginning of a grass-roots effort to establish control over American borders.
Obama has clearly abandoned border protection, and he is using fake, officially invited refugees to make the case for open borders, the dilution and end of American democracy, and the end of American capitalism. No elected Republicans seem capable of standing up to him.
On the foreign front, Appeasing evil people is aiding and abetting evil people. Thus, appeasement is evil.
Failing to confront evil, especially an evil that has its eye on you, is either due to mental disability, or to a self-hypnosis masquerading as superiority. Self-sacrifice trumps survival to appeasers, who casually disregard that many other people are then taken over the cliff, too.
Contemplating what drives Obama and his supporters has been dishearteneing, because I cannot fathom it, despite growing up surrounded by far-left liberals. His supporters are not asleep, and they also cannot explain to me what about him and his actions they like, on balance with those they dislike. When we discuss issues, liberals immediately fly into a rage, have fits, and if it is a Facebook debate, they “unfriend” someone they’ve known for thirty five years, a phenomenon I hear repeated by others. This is not a good sign.
For example, ObamaCare is overwhelmingly unpopular to Americans and it is failing across the board, but that hasn’t stopped his supporters from promoting it.
The Veterans Affairs scandal is an incredible indictment of the administration, but his supporters cannot concede on it.
The Benghazi cover-up is just a “political charade.” But Americans were abandoned to violently die there, while their cell phones and radio pleas for help were listened to by indifferent administration officials. In any nation this is either criminal or incompetent, and yet…no concessions.
The world is on fire, with Syria, Iraq, Russia, Ukraine, and large parts of Africa falling apart after huge, decades-long Western and American investments of money and dead. Or, in the alternative, these places are now re-assembling into sources of evil that we will eventually have to confront once again, under circumstances that at that time are disadvantageous and more costly to us.
Obama’s foreign policy, his “re-set,” is so obviously a catastrophe, that it makes one wonder if he really secretly wants this destruction. After all, the boundaries of the modern Middle Eastern and African nations were established by European powers, and we know how much hate Obama has for those Western democracies aka “colonial powers.”
Obama seems to be at war with America and Western civilization, and his supporters are either under some odd messianic spell, or they are in cognitive agreement with him.
Is America headed for a civil war over these differences? The current state of debate is not encouraging, where liberals espousing an all-controlling, all-knowing, all-seeing Big Brother Orwellian society seem to relish IRS and NSA abuses against fellow citizens. They do not realize or accept that to most Americans, this is a form of slavery, and no, they will not live under slavery.
I think I am going to go have a nice cold beer and work in the garden. In the rain. The David Brat win / Cantor loss is going to have to buoy my spirits for the coming days. Have a great weekend!