September 4th, 2026
Numbers are an important part of advanced human cultures. Numbers are how we calculate things. Numbers give substance to the things that advanced cultures measure and value, like raw materials or produced widgets or dollars in your bank account. While numbers are often thought of as mere “math” and thus relegated to the world of nerdy geekdom, in many ways, a particular fixed number can come to symbolize or represent certain ideas or cultural markers, too.
One fixed number that has become common parlance in some political discussions, on both the intellectual left and the violent left, is “88.” Apparently, the number eight followed by another number eight can mean, to some people, the eighth letter of the English alphabet, H, followed by another H. In an apparent crypto secret language, this is supposed to mean “Heil Hitler.”
The number 1932 is the year that Aldous Huxley’s Brave New World was published. Huxley watched the rise of the racialist Nazi German state, coupled with the rise of modern science, and foresaw how such a diabolical mating could produce truly evil offspring. Like selecting which child with what genes to preserve alive, and which to kill off. To the point where the government (in the book) was allocating certain outcomes of intellectual and physical capacity to every human born under the government’s control. Most people (in the book) were designated as low intelligence physical workers, and had their embryo so tweaked while in utero, and a lucky few embryos were left alone to develop normally and live up to their full potential.
Brave New World is rightfully an important book because of its warning against too much government power, and against the use of science to artificially manipulate human outcomes from the embryo stage on through the end of life. For a book written almost a hundred years ago, it sure seems prescient! Human DNA, freaky and immoral experiments, coercive governments everywhere… our own 2026 does not seem too far removed from the bad world that Huxley foresaw in 1932.
The movie THX1138 is loosely based on Brave New World, as are many other futuristic, dystopian movies. Most of them have robots controlling human populations with extreme violence, many of them involve humans trying to escape their walled environment.
Another number that is used a lot in all kinds of political discussions is 1984, which is the title of a book by George Orwell. Published in 1949, after the Soviet Union’s Iron Curtain fell across Eastern Europe and the mask came off of the homicidal Russian socialists, the book 1984 refers to the then-far-off year of 1984, in which Orwell foresees the possibility of a “dystopian” state, where totalitarian government has its boot forever on the human face.
Dystopian is the opposite of utopian. Utopia being the promised land euphoric state of socialist bliss and abundance and easy living harmony absolutely danggummit guaranteed by all socialist dictators and genocidal mass murderers, like Lenin, Stalin, Hitler, Mao, Pol Pot, a few others. And it was the 1945 fall of Adolf Hitler’s racialist socialist thousand year utopia, coupled with the 1947 un-masked USSR socialist project’s oppressive dictatorship, that led Orwell to pen his warning to all who might follow in those same footsteps in the future.
So, the number 1984 has come to mean dystopian, totalitarian government, cruelty, mass surveillance, no individual rights. In a nutshell, socialism.
Another iconic number is 451, the number in the title of Ray Bradbury’s book about the temperature at which paper (books) burn. In Fahrenheit 451, Bradbury foresees a society where books are burned by the government, to prevent humans from accessing true knowledge. This is done to keep humans ignorant of truth and fact, to deprive them of access to knowledge, to make them dependent upon the government for all information. And in Bradbury’s book, if you have books, you had better hide them. Because the police will come and put you in jail, and burn all of your books.
Bradbury got a good dose of his fears from the famous Nazi book burnings in the 1930s and 1940s. Those were themselves based on the massive book burnings held by the Church in the 1300s through the 1700s across Europe. Because information control is everything…and ideas about individual freedom and individual rights can never be tolerated by a totalitarian government.
Given the past bout of official censorship that our planet did not enjoy over the 2020-2022 covid19 plandemic, it is impossible to argue with Bradbury’s fears. But that was merely about digital access and digital information. Literally today, we have Anthropic, the artificial intelligence company, digitizing rare books, and then shredding them and destroying them.
Now why would someone desire to make digital copies of books, but then destroy the actual physical book? Is it because they want to be the sole arbiter and source of what those original books actually said? What if the digital versions are edited or deleted or monkeyed with? Unless you have the actual physical book copy in your hands, you would have to rely on the digital version being presented to you.
Finally, I would like to introduce a new number to our list of politco-cultural numbers discussion: 722.
The number 722 is the important page number in my edition of the 1965 book Dune, that majestic and iconic sci-fi thriller that has spawned a bunch of movies (the 1984 version of Dune is the best, ironically, if we are talking about symbolic numbers).
On page 722 of my edition of Dune, readers are exposed to a purportedly dangerous and radical idea, at least in the current parlance of our brave new world of socialist academia and its attached totalitarian political functionaries: The human gender binary.
“Paul said: There is in each of us an ancient force that takes and an ancient force that gives. A man finds little difficulty facing that place within himself where the taking force dwells, but it’s almost impossible for him to see into the giving force without changing into something other than man. For a woman, the situation is reversed…..These things are so ancient within us, Paul said, that they’re ground into each separate cell of our bodies. We’re shaped by such forces. You can say to yourself Yes, I see how such a thing may be. But when you look inward and confront the raw force of your own life unshielded, you see your peril. You see that this could overwhelm you. The greatest peril to the Giver is the force that takes. The greatest peril to the Taker is the force that gives. It’s as easy to be overwhelmed by giving as by taking.”
It is interesting to see that the number twelve be shaped so strongly by the Taker today, when the other eleven were all Givers. For today the jury in the Lindsey Clancy trial was unable to come to a unanimous verdict. Lindsey Clancy admits to having strangled her three children to death. The jury was simply charged with finding her guilty of murder, or not. Accounts of those present in the court room say that the eleven women on the jury were openly in support of a Not Guilty verdict, and that the one man on the jury seemed to be the lone voice wanting her to be held accountable for murdering her children, with her hands, in their home.
You know, all these futuristic dystopian books that predicted an upside down world, where government has absolute control through censorship and violence against the population, and where basic truths are no longer accepted by those in power, these predictions or warnings all seem to have come to fruition in the Lindsey Clancy trial outcome today.
For almost a whole generation, school teachers and academics, and now elected officials, tell us the un-truth that humans are not binary. They say that there is no woman or man, that the gender lines are blurred and false, and that we each have our “own truth” that may deviate from the measurable and demonstrable truth that we can see, calculate, scientifically map.
We Americans are at profound risk right now. We have a culture where a woman can strangle her own small children, and not only be surrounded by adoring groupies dressed in pink, but where a jury of women, of motherhood and Givers, cannot find this murderous witch Guilty of the crime of murder. Of innocent, vulnerable little children, by their mommy.
This cultural shift away from basic justice might be a result of all the abortion-on-demand-up-until-age-ten stuff that has been pushed, or all the “my truth says I should murder you because I don’t like your politics” stuff that has been pushed. The whole “By any means necessary” socialist chanting stuff. The idea that wrong is right, and murder is justified if you feel OK with it that one time, because her gender is, at that moment, your biggest identity marker.
Moral relativism run amok. The natural outcome of moral relativism.
The number 722 and all that it stands for is going to be attacked, demonized, and Dune will become relegated to the heap of books to be burned, for stating the obvious, the scientifically proven, the basic binary of life on our planet. Get yourself a copy of Dune and hide it away in your attic, for future generations of prospective readers, along with copies of 1984, Animal Farm, Brave New World, and Fahrenheit 451. To know the truth, and how to arrive at right and not wrong decisions.

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By Josh • Posted in
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April 1st, 2024
Dune captured my young imagination like no other book- not Tolkien’s trilogy, not Starship Troopers, and like Tolkien’s books and Starship Troopers, Dune shaped just about every subsequent sci-fi book, movie, comic book that followed.
Several attempts have been made to capture Dune’s magic in movie form. Prior to the latest two movies, the best known and best produced was the 1984 version with all-star cast Kyle MacLachlan, Sean Young, Sting, Jose Ferrer, Brad Dourif, Richard Jordan, Patrick Stewart, Jurgen Prochnow, Kenneth McMillan, Sian Phillips, Freddie Jones, Linda Hunt, Jack Nance, and other stellar actors. Look up any of these names and you find a talented lifetime actor with lots of real acting gigs to their credit. And as expected, the 1984 Dune movie was very well acted, much better than the latest versions.
Where the 1984 movie was deficient were some of the special effects, and yet some of its special effects were so good that they are repeated in the latest two Dune movies. Fact is, special effects have really improved since 1984, and of course this is where the 2021+2024 Dune movies shine.
If the 1984 Dune movie struggled to get everything just right and onto the screen in a logical flow, which sometimes left it congested, Dune 2 simply ignores certain critical story elements and throws scenes up on the wall, take them or leave them. There is a lot of character and story development in 1984 Dune that is absent in Dune 2.
One scene I was hoping to see is where Fayd Rautha is confronted by the last three Atreides warriors in his gladiator ring, and one of them is not drugged. That fighter just about kills Fayd in the knife fight. In the book that scene takes time to play out, and one gets the impression that Fayd is too used to mock-fighting drugged opponents who cannot possibly bring their full skills or physical power to bear against him. In Dune 2, Fayd just rolls right over his opponents 1-2-3, and there, it’s done. No suspense, no close calls, no embedded darts being painfully but artfully used as improvised armor against Fayd’s quick blade.
The Mentats are pretty much nowhere to be found in Dune 2, which is odd. Dune makes it clear up front that computers and artificial intelligence were banned from human possession, because the computers tried to kill off all the humans and take over their planets. Which gave rise to the Mentats, human computers whose loyalty is first and foremost to fellow humans. Dune 1984 does an outstanding job showing the central role of the Mentats, whereas Dune 2 has none.
One of the biggest deficiencies in Dune 2 is the final battle between Paul and the Fremen, and the Emperor’s forces. Little of the battlefield set-up is explained in Dune 2, and the action just kind of rolls along. The sand worms show up, but not grandly. Maybe the director expects the audience has prior knowledge of the storyline? Plus there are way too many lasers used in Dune 2, because as we do already know, if a laser hits a personal shield, an atomic explosion happens at both ends, killing both parties. Thus, knives and swords were much more handy. I guess lasers look too cool on the big screen to pass up, even if they are not in keeping with the book.
Or Dune 2 could have incorporated the original “weirding” voice module, the Atreides’ secret weapon that is both super high tech and weirdly organic. Dune 1984 did a great job showing how the weirding module greatly enhanced the Fremen fighting ability, thereby enabling them to take on the fully armed Harkonnens. None of this is in Dune 2, strangely.
The 1984 movie ending is far, far superior to the ending of Dune 2: Paul’s raw power is displayed in his fight with Fayd Rautha, whereas in Dune 2 a lot of stuff just doesn’t make sense. Like how does Fayd stab Paul so many times, and why doesn’t the scene follow the book, which is so good, and why doesn’t Paul cut loose after killing Fayd, crushing him and the stone floor with just his voice, thereby demonstrating his overwhelming physical/mystical messianic power…instead of just kind of standing there looking over his defeated enemies….? Curious minds want to know.
Nothing in Dune 2 shows Paul’s slow discovery and then development of his messianic powers, despite that being the entire purpose of the Dune story. Nine hundred generations of careful breeding and genetic modification were supposed to result in the messiah, who could bend space and time on his own, and in Dune and the 1984 Dune, those responsible for creating Paul are amazed that he actually happened. I am amazed that Dune 2 shows its audience almost none of this important part of the overall story. Paul’s emergence and ascent as the universe’s messianic all-powerful super-being leader is the entire point of Dune. How did it evade the producers of Dune 2?
Dune 2 should have just taken the 1984 film and used every scene, every prop, every script and line, and simply updated the actors and the special effects. Oh well. Opportunity missed.
Well, I paid fourteen bucks to go see a Hollywood movie. First one of 2024 and probably going to be the only Hollywood movie I see this year. Regal Cinemas now has assigned seats, which in theory is a nice thing, and which in the theater itself bore no resemblance to the seating map offered on the computer screen when buying my ticket. I did get to sit up front and enjoy the effect of a full size movie screen, which is a lot of fun. It is a shame the movie was not what I expected, or what it could have been, or should have been.
Nice consolation is that I can watch my 1984 Dune DVD at home, as well as watch the excellent cut scenes on YouTube. Hate to say it, Dune 1984 is in many ways much better than today’s Dune 2, but Dune 2 is worth seeing, if you have any affinity for the Dune story. It’s all fun.

Fayd Rautha (Sting) having fun biting Paul (Kyle MacLachlan) in the 1984 Dune last knife fight
By Josh • Posted in
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