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A well-deserved Thank You to some stalwarts in the shooting sports

Since early childhood and Wyeth paintings of Captain Kidd and pirates bearing cutlasses and flintlock pistols, old timey guns and edged weapons have gripped my imagination.

No, there is no oddity here in that. There is no eccentric or weirdo behavior resulting from this affliction.  In a sporting world increasingly enamored of stainless steel and plastic firearms, bearing Hubble Telescope-like magnifying scopes capable of coldly assassinating animals at half a mile or longer, being a nut for simple guns of old steel, open sights, and darkened walnut sets one apart more on the side of sanity.

When these old guns last hurt someone, the War of 1812 was a recent memory; maybe some time in the 1890s a kid playing with one hanging above the mantle managed to unintentionally bag his grandma in the living room.

In 1994, a pile of them were dumped into the trash by one of my neighbors in suburban Maryland, because they were “guns,” and therefore bad, apparently, despite each one being representative of one artistic school or another, each a canvas of steel and wood, not fabric. Together worth a new luxury car at that time, and today each worth a single car.

Dumping them in the trash was that recent widow’s own self-inflicted wound.

In general, these quality antique firearms and their “modern” descendants, including the black powder express rifles, double barrel shotguns, nitro double barreled rifles, and single-shot stalking rifles, pose no risk to humans and are a threat to four-legged animals only when used with hard-won, developed skill and hard-earned, focused woodcraft. After all, these weapons require their user to approach wary wild game within at least 150 yards, and well within 100 yards is preferred, where noses, ears and eyes easily tell the quarry “RUN! NOW! FAST!”

No assassinations here.  Hunting skill is the key.

Many of these guns were made at a pivotal time in human and technological history when steels were dramatically improving in hardness and durability, explosives were well on their way to matching our best fireworks today, electricity-powered machinery was becoming more available and more precise, human labor was still abundant and relatively cheap, and standards of craftsmanship were still exceptionally high so that each item a worker produced carried his or her pride of best abilities applied.

Finally, remote stands of ancient walnut trees and other tree species, long neglected for their timber and enjoyed by the natives for their fruits and nuts, became known and available by steam locomotive, pack mule, and steam ship. Wood from these trees captured a time when few factors reared their hands against the relatively soft material, and so they grew slowly in peace and quiet in far-off lands and places, each decade adding a narrow band of dense and highly figured curl and figure to what would eventually become a stunning, valuable gunstock in London, Suhl, Ferlach, and Belgium.

Today, such firearms, and even reproductions of them, are highly sought after by harmless romantics seeking to hunt but not necessarily to kill, to capture the essence of bringing an aesthetically pleasing hand-craft to the necessary bloodletting in harvesting wild game; basically, to class-up and improve the joint a bit with style and understated elegance.

Certainly there are representations of this time period among our most favorite buildings around the planet, so if “guns” elude you, your emotions, or your tastes, think of beautiful, carefully constructed, famous buildings that inspire people (or furniture, or cars, or or or…). Then you should understand that those nerdy, harmless romantics actually carry such high art around in the woods, and that being a nut for such specimens of humankind’s best mechanical and artistic abilities is not such a strange preoccupation, after all.

It is an aesthetic pursuit, with a bang.

As this right here is not a book, and as it is merely my own small, off-hand, and brief attempt to say Thank You to people who have distantly but materially added to my quality and enjoyment of life, just three institutions are receiving mention today, though many many many more deserve kudos, too (Steve Bodio comes to mind, or Ironmen Antiques, and and and…).

First, a big thank you to the Cote Family, the hard working founding publishers of the Double Gun & Single Shot Journal (DGJ), 1989 to present. Without the DGJ, aficionados of old but not the oldest or most popular firearms would have but occasional and fleeting mentions in Grey’s Sporting Journal, American Rifleman, and hard-to-find tomes filled with errata and alchemy.  DGJ captures both the spirit of old hunting tools and methods, and the details required to make the whole endeavor successfully fall into place now.

Without the DGJ, Capstick and Pondoro and similar oldies-but-goodies would be most of the reading available to us.  Yes, yes, Roosevelt’s African Game Trails and his other hunting books are phenomenal, but how many times over can a person read them?

So a huge Thank You to the Cote family for keeping the DGJ going.

Second, DGJ hosts such gifted analysts as Sherman Bell, whose decades-long “Finding Out for Myself” series of articles has put to rest silly notions about using black powder and nitro-for-black substitutes (yes, you can kill a beautiful buck with style, elegance, and woodcraft, you do not have to be an assassin to be successful), the safety of Damascus barrels (yes, they are safe with modern shells), and other interesting myths and facts surrounding Grandpa’s old gun on the mantle.  Thank You to Sherman Bell, for enriching my life in small but directly meaningful ways with these beloved and useful artifacts.

Finally, a huge Thank You to noted gun writer Ross Seyfried, whose introspective writings and wanderings in DGJ and elsewhere have inspired many others to pick up the double rifle or single shot, and shelve the plastic contraption, once again capturing the spirit, at least, of fair chase. And Thank You, Ross, for your own steady, incredibly patient guidance and knowledge as I walk my own path.

Yes, I know, you too had your mentors, and they too held your hand and guided you along your path. We have walked those paths with you in the Matabeleland of Rhodesia/Zimbabwe and the hills of Elk Song in Oregon. But in a culture of increasingly shallow or fragile relationships, expectations of immediate gratification, point-and-click ‘knowledge’, plastic contraption guns, brief patience, half-mile assassinations of unstalked animals, and so on, being a junior apprentice to someone like you is a pleasurable rarity, and an honor.

Ross, I pledge I will do my best to follow in your footsteps and do as you have done with me: Passing along all of my knowledge of the old things, the old ways, the class and the grace — what little I possess!, to those who want them. I will withhold nothing from that next generation.

 

Remembering neat people, Part 1

A lot of neat, interesting people have died in the past year or two, or ten, if I think about it, but time flies faster than we can catch it or even snatch special moments from it. People I either knew or admired from afar who changed me in some way.

There are two men who influenced me in small but substantial ways who I have been thinking about in recent days. One of them died exactly ten years ago, and the other died just last year. Funny how I keep thinking about them.

It is time to honor them as best I can, in words.

First one was Charlie Haffner, a grizzled mountain man from central Tennessee. Charlie and I first crossed paths in 1989, when I joined the Owl Hollow Shooting Club about 45 minutes south of Nashville, where I was a graduate student at the time.

Charlie owned that shooting club.

Back before GPS, internet, or cell phones, the world was a different place than today. Dinosaurs were probably wandering around among us then, mmm hmmmmm. Heck, maybe I am a dinosaur. Anyhow, in order to find my way to the Owl Hollow club, first and foremost I had to get the club’s phone number, which I obtained from a fly fishing shop on West End Avenue. Then I had to call Charlie for directions, using a l-a-n-d l-i-n-e, and actually speaking to a person at the other end. You’d think it was Morse Code by today’s standards.

After getting Charlie on the phone, and assiduously writing down his directions from our phone conversation, I had to use the best map I could get and then drive way out in the Tennessee countryside on gravel and dirt roads. Trusting my directional instincts, which are good, and trusting the maps, which were pretty bad, and using Charlie’s directions, which were exactingly precise, I made my way through an alien landscape of small tobacco farms and Confederate flags waving from flagpoles. Yes, southcentral Tennessee back then, and maybe even today, was still living in 1865. Not an American flag to be seen out there by itself. If one appeared, it was either directly above, or, more commonly, directly below the Confederate flag. The Confederate flag shared equal or nearly equal footing with the American flag throughout that region.

Needless to say, when I had finally arrived at the big, quiet, lonesome gun range in the middle of the Tennessee back country, the fact that I played the banjo and was as redneck as redneck gets back home didn’t mean a thing right then. Buddy, I was feelin’…. Yankee, like…well, like black people once probably felt entering into a room full of Caucasians. I felt all alone out there and downright uncomfortable. And to boot, I was looking for a mountain man with a deeeeep Southern drawl, so it was bound to get better. Right?

Sure enough, I saw Charlie’s historic square-cut log cabin up the hill, and I walked up to it. Problem was, it had a door on every outside wall, so that when I knocked on one, and heard voices inside, and then heard “Over here!” coming from outside, I’d walk around to the next door, which was closed, and I would knock again, and go through the process again, and again. Yes, I knocked on three or four of those mystery doors before Charlie Haffner finally stepped out of yet one more doorway, into the sunshine, and greeted me in the most friendly and welcoming manner.

Bib overalls were meant to be worn by men like Charlie, and Charlie was meant to wear bib overalls, and I think that’s all he had on. His long, white Father Time beard flowed down and across his chest, and his long, flowing white hair was thick and distinguished like a Southern gentleman’s hair would have to be. And sure as shootin’, a flintlock pistol was tucked into the top of those bib overalls. I am not normally a shy person, and I normally enjoy trying to get the first words in on any conversation, with some humor if I can think of it fast enough. But the truth is, I was dumbfounded and just stood there in awe of the sight before me.

Being a Damned Yankee, I half expected to be shot dead on sight. But what followed is a legendary story re-told many times in my own family, as Charlie (and his kindly wife, who also had a twinkle in her eye) welcomed me into his home in the most gracious, witty, and insightful way possible.

Over the following two years, I shot as much as a full-time graduate student could shoot out there at Owl Hollow Gun Club, which is to say not as much as I wanted and probably more than I should have. Although my first interest in guns as a kid had been black powder muzzleloaders, and I had received a percussion cap .45 caliber Philadelphia derringer as a gift when I was ten, I had not really spent much time around flintlocks. Charlie rekindled that flame in me there, and it has burned ever since, as it has for tens of thousands of other people who were similarly shaped by Charlie’s re-introduction of flintlock shooting matches back in the early 1970s, there at Owl Hollow Gun Club.

Charlie died ten years ago, on July 10th, I think, and I have thought about him often ever since: His incredible warmth and humor, his amazing insights for a mountain man with little evident exposure to the outside world (now don’t go getting prejudiced about mountain folk; he and many others are plenty worldly, even if they don’t APPEAR to be so), his tolerance of differences and willingness to break with orthodoxy to make someone feel most welcome. Hollywood has done a bad number on the Southern Man image, and maybe some of that negative stereotype is deserved, but Charlie Haffner was a true Southern gentleman in every way, and I was proud to know him, to be shaped by him.

The other man who has been on my mind is Russell Means, a Pine Ridge Sioux, award-winning actor, and Indian rights activist who caught my attention in the early 1970s, and most especially as a spokesman for tribal members holed up out there after shooting it out with FBI gunslingers.

American Indians always have a respected place in the heart of true Americans, and anyone who grew up playing cowboys and Indians knows that sometimes there were bad cowboys who got their due from some righteous red men. Among little kids fifty years ago, the Indians were always tough, and sometimes they were tougher and better than the white guys. From my generation, a lot of guys carry around a little bit of wahoo Indian inside our hearts; we’d still like to think we are part Indian; it would make us better, more real Americans…

Russell Means was a good looking man, very manly and tough, and he was outspoken about the unfair depredations his people had experienced. While Means was called a radical forty years ago, I think any proud Irishman or Scottish Highlander could easily relate to his complaints, if they or their descendants stop to think about how Britain had (and still does) dispossessed and displaced them.

Russell Means played a key role in an important movie, The Last of the Mohicans. His stoic, rugged demeanor wasn’t faked, and he was so authentic in appearance and action that he easily lent palpable credibility to that artistic portrayal of 1750s frontier America by simply showing up and being there on the set. Means could have easily been the guy on the original buffalo nickel; that is how authentic he was.

Russell Means was representative of an older, better way of life that is disappearing on the Indian reservations, if that makes any sense to those who think of the Indian lifestyle that passed away as involving horses and headdresses. He was truly one of the last of the Mohicans, for all the native tribes. Although I never met you, I still miss you, and your voice, Mr. Means.

[Written 7/23/14]