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DUNE 2 review

Dune captured my young imagination like no other book- not Tolkien’s trilogy, not Starship Troopers, and like Tolkien’s books and Starship Troopers, Dune shaped just about every subsequent sci-fi book, movie, comic book that followed.

Several attempts have been made to capture Dune’s magic in movie form. Prior to the latest two movies, the best known and best produced was the 1984 version with all-star cast Kyle MacLachlan, Sean Young, Sting, Jose Ferrer, Brad Dourif, Richard Jordan, Patrick Stewart, Jurgen Prochnow, Kenneth McMillan, Sian Phillips, Freddie Jones, Linda Hunt, Jack Nance, and other stellar actors. Look up any of these names and you find a talented lifetime actor with lots of real acting gigs to their credit. And as expected, the 1984 Dune movie was very well acted, much better than the latest versions.

Where the 1984 movie was deficient were some of the special effects, and yet some of its special effects were so good that they are repeated in the latest two Dune movies. Fact is, special effects have really improved since 1984, and of course this is where the 2021+2024 Dune movies shine.

If the 1984 Dune movie struggled to get everything just right and onto the screen in a logical flow, which sometimes left it congested, Dune 2 simply ignores certain critical story elements and throws scenes up on the wall, take them or leave them. There is a lot of character and story development in 1984 Dune that is absent in Dune 2.

One scene I was hoping to see is where Fayd Rautha is confronted by the last three Atreides warriors in his gladiator ring, and one of them is not drugged. That fighter just about kills Fayd in the knife fight. In the book that scene takes time to play out, and one gets the impression that Fayd is too used to mock-fighting drugged opponents who cannot possibly bring their full skills or physical power to bear against him. In Dune 2, Fayd just rolls right over his opponents 1-2-3, and there, it’s done. No suspense, no close calls, no embedded darts being painfully but artfully used as improvised armor against Fayd’s quick blade.

The Mentats are pretty much nowhere to be found in Dune 2, which is odd. Dune makes it clear up front that computers and artificial intelligence were banned from human possession, because the computers tried to kill off all the humans and take over their planets. Which gave rise to the Mentats, human computers whose loyalty is first and foremost to fellow humans. Dune 1984 does an outstanding job showing the central role of the Mentats, whereas Dune 2 has none.

One of the biggest deficiencies in Dune 2 is the final battle between Paul and the Fremen, and the Emperor’s forces. Little of the battlefield set-up is explained in Dune 2, and the action just kind of rolls along. The sand worms show up, but not grandly. Maybe the director expects the audience has prior knowledge of the storyline? Plus there are way too many lasers used in Dune 2, because as we do already know, if a laser hits a personal shield, an atomic explosion happens at both ends, killing both parties. Thus, knives and swords were much more handy. I guess lasers look too cool on the big screen to pass up, even if they are not in keeping with the book.

Or Dune 2 could have incorporated the original “weirding” voice module, the Atreides’ secret weapon that is both super high tech and weirdly organic. Dune 1984 did a great job showing how the weirding module greatly enhanced the Fremen fighting ability, thereby enabling them to take on the fully armed Harkonnens. None of this is in Dune 2, strangely.

The 1984 movie ending is far, far superior to the ending of Dune 2: Paul’s raw power is displayed in his fight with Fayd Rautha, whereas in Dune 2 a lot of stuff just doesn’t make sense. Like how does Fayd stab Paul so many times, and why doesn’t the scene follow the book, which is so good, and why doesn’t Paul cut loose after killing Fayd, crushing him and the stone floor with just his voice, thereby demonstrating his overwhelming physical/mystical messianic power…instead of just kind of standing there looking over his defeated enemies….? Curious minds want to know.

Nothing in Dune 2 shows Paul’s slow discovery and then development of his messianic powers, despite that being the entire purpose of the Dune story. Nine hundred generations of careful breeding and genetic modification were supposed to result in the messiah, who could bend space and time on his own, and in Dune and the 1984 Dune, those responsible for creating Paul are amazed that he actually happened. I am amazed that Dune 2 shows its audience almost none of this important part of the overall story. Paul’s emergence and ascent as the universe’s messianic all-powerful super-being leader is the entire point of Dune. How did it evade the producers of Dune 2?

Dune 2 should have just taken the 1984 film and used every scene, every prop, every script and line, and simply updated the actors and the special effects. Oh well. Opportunity missed.

Well, I paid fourteen bucks to go see a Hollywood movie. First one of 2024 and probably going to be the only Hollywood movie I see this year. Regal Cinemas now has assigned seats, which in theory is a nice thing, and which in the theater itself bore no resemblance to the seating map offered on the computer screen when buying my ticket. I did get to sit up front and enjoy the effect of a full size movie screen, which is a lot of fun. It is a shame the movie was not what I expected, or what it could have been, or should have been.

Nice consolation is that I can watch my 1984 Dune DVD at home, as well as watch the excellent cut scenes on YouTube. Hate to say it, Dune 1984 is in many ways much better than today’s Dune 2, but Dune 2 is worth seeing, if you have any affinity for the Dune story. It’s all fun.

Fayd Rautha (Sting) having fun biting Paul (Kyle MacLachlan) in the 1984 Dune last knife fight

Dune 2021 Movie Review

Setting aside Regal Theaters’ ear-splitting volume emitting from every theater room as well as the one we sat in, and setting aside our thoughts on the 25 minutes of shallow woke commercial bombardment before the 2021 movie Dune even started, we did enjoy the movie, if not the venue.

A cult classic movie, like the 1984 version of Dune, is usually a cult classic for good reasons: Excellent acting, good props and sets, good costumes, and fealty to author Frank Herbert’s vision all make the 1984 Dune movie a timeless classic with a cult following. You can watch it once a year and never grow tired of it.

Yes, to follow the 1984 version, a viewer must already be somewhat familiar with the book Dune and with its general story line to begin with. But it covers and tracks well with a lot of the 1,000-page book’s territory. For example, the 1984 Dune has a highly compelling and truly evil Baron Harkonnen, literally bathing in the blood of his slain enemies and reveling in the blood of a sexually molested slave boy whose heart plug he just pulled in front of his two nephews (one of whom, the actor Sting, evinces morbid fascination and horror turned to sadistic glee all too well).

Fast forward to Dune 2021, and now our evil Baron Harkonnen is merely deeply brooding and kind of distantly menacing. That he is surrounded by black-clad ministers of evil and a brutish thug nephew, and that he bathes in black used motor oil to “heal,” makes him icky and probably really bad. But we see no blood-baths, no sadistic glee as the vulnerable innocents twitch their last under his daintily painted finger nails. He doesn’t even look for Duke Leto’s ducal signet ring as the helpless prostrate mess breathes its last, a boring scene which contrasts poorly with the believable 1984 Baron, whose unfulfilled lust for the Atreides signet ring is foiled and gives way to howls of rage.

The same distance is observed between the Duke Leto Atreides character of 1984 and 2021. One radiates nobility and dead seriousness, while Oscar Isaac acts here exactly like he acts in every movie in which he appears. Which is to say weak. Oscar Isaac is literally the same character in Dune as he was in Star Wars. He emits no gripping leadership, exudes no magnetic charisma at the head of one of the universe’s greatest armies that we admire in the book and in the 1984 movie.

And again, the 2021 movie’s lack of the Sting character, Harkonnen Feyd Rautha, nephew of Baron Harkonnen, removes what was in the book the evil Harkonnen foil to young and good Paul Atreides. As House Atreides represents good, honor, justice, fairness and clean living, House Harkonnen is everything opposite- murder, coercion, violence, cruelty, sadism, greed etc. Throughout the book Dune, and in the 1984 movie, the two nephews (who turn out to actually be related by blood) ever more tightly circle each other, coming closer and closer to an in-person showdown knife fight to the death. All of this foil effect and symbolism is absent the 2021 movie

While the 2021 movie has fantastic special effects that are blended with just enough gritty sand to make them believable, today’s movie lacks the true grit, grime, and desperate feel of the 1984 version.  The 2021 space ships are superior to the almost pathetic hand-drawn ones of 1984. However, in 1984 the freaky-looking mutant spacing guild navigator folds time and space by shooting light beams out his mouth and ass, thereby connecting two distant parts of the universe and moving an entire army across the distance between the two points “without moving.”

We get no such mouth or ass action in 2021, and it is a true loss. Because no matter how good your special effects are, and no matter how much your movie watchers are supposed to innately know that eight thousand years from now weapons and space travel are really high tech, your viewers nonetheless want to see how that high tech moment is attained. That is the point of watching a movie. Having a bunch of spacing guild navigators show up in 1960s NASA astronaut space suits with their visors filled with a pink fume just does not cut it (when the Emperor’s representatives visit Caladan). That scene is oh-so Star Trek and Star Wars, and we who are in 2021 are  supposed to be oh-so-beyond those passe genres.

As much as I expected to be bothered by the woke racial aspect of the 2021 Dune movie, because Hollywood has done such a good job of butchering otherwise ok movies on the altar of PC, I was pleasantly surprised at how well it worked. In case you missed it, Hollywood now demands that non-white-skinned people appear in all kinds of movies in roles that were originally written by, of, and for white-skinned people. As a result, this ‘woke’ virtue signaling gone super foolish now has unfunny black women trying to play the humorous roles of truly funny Italian and Jewish guys in Ghost Busters IX or whatever. Go woke, go broke making stupid movies appealing to no one but Hollywood insiders.

But here, in this movie, the roles are believable. Even the role of Dr. Liet Kynes, who in the book is a tough guy, and who in the 1984 movie is played very well by a big tough guy, is now switched to a black lady. I think she carries the role off well and believably. And so do the varied multi-racial Fremen, whose skin tones run from crusty white to deeply black. The 1984 movie had some blacks and American Indians in military roles, which was avante gard for its time. Here, the pursuit of heterogeneity is not forced, and it flows. Thank Shai Hulud.

In sum, the 2021 Dune movie is pretty good. I say A for weapons and action acting, B for acting, A for special effects, C+ for script, A for props and sets. My son said they should have simply used the 1984 script verbatim or close to it, and he is right.

It is easy for me to say that it could have been better, and I am but one lone watcher in a sea of watchers. But then again, I am a customer and my opinion is supposed to count with the people selling this movie. After all, Dune is the first movie I have gone to see in a couple years, maybe even three years. That is because Hollywood has turned out endless nonstop trash and junk that is either not entertaining, or not meaningful, or shallowly PC woke preachy and annoying. At this point, I now simply refuse to transfer my hard-earned wealth into the pockets of Hollywood America haters. When a decent movie comes along that promotes family, loyalty, fearless stoicism and fearless warriors, vision for a better future, risk and sacrifice, why then Hollywood can expect a donation from me.

This Dune was part one, and that is one of its main superior aspects over the 1984 movie, which tried to do too much in too short a time. To serve up the book well and just, one must convey it in bites that can be consumed and digested. Such is part one here. I am looking forward to part two, and hopefully more intensity and inward awareness from the protagonist, Paul M’uad Dib Atreides aka Timothee Chalamet.

Koo koo for KoKo Puffs, Crazeeee for Covid

Having deigned to come down from the mountain and mingle with the lowlanders (‘flatlanders’ around here), I was immediately struck by how many people I know in my neighborhood who are still taking the mask thingy so seriously. Wearing the mask like a religious burka, looking all sincerely severe and all. My friends have struck a significant pose with all kinds of massive wrap-around masks that are nonetheless colorful and playful.

It is the ultimate virtue signal: Gotta be some joy in your self-imposed death march, right? Make sure your mask is cinched down real tight and has the requisite flowers or symbols of humor to show that you are not really taking it seriously. Yeah, right.

Recently former Arkansas governor and politico Mike Huckabee said that liberals don’t want to relinquish mask requirements, because they have achieved so much iron-fisted control over so many Americans. Big-government fascist governors Wolf (PA), Whitmer (MI), Newsom (CA) and others have no science on their side, but they are goose stepping down the mask wearing street every day anyway. “You will comply!”

These fascist governors are afraid of what the citizens will do when they rediscover their own freedom, Huckabee says. And while Governor Huckabee is correct, what about people like my friends who take on the onerous and bizarre mask self-requirement? These otherwise fine people are purposefully disfiguring themselves with these ridiculous masks.

Their mask-wearing has to be more than virtue signaling, and it has to be more than fear. Because the mask wearers are surrounded by maskless people going about their lives happily and healthily, there ain’t a whole lot of self-evident virtue or health to be gained from the mask. So it is something else that compels them.

Here is what I believe mask wearing means to mask wearers: It is the personal worship of something larger than themselves. Mask wearing has become the physical and very public demonstration of a belief in something higher and more important than the individual; a sublimation of the self to a higher good.

“Islam” means to submit, and mask wearing is a form of personal submission to some greater authority. It ain’t a coincidence that the Islamic burka and the covid mask both are symbols of personal submission and self-denial. And it ain’t a coincidence that 49.8% of the voters in Dauphin County voted yesterday to continue to grant the Pennsylvania governor the un-ending authoritarian power to keep fake emergencies and crises going for as long as the governor wants. The mask wearers don’t like freedom.

So while Governor Huckabee is correct that authoritarians like Governor Tom Wolf (PA) covet the power over people that the mask commandment has given them, there is another side to this power transaction too. It takes two to tango. That other side is the desire (not just the willingness) of everyday citizens to literally give up their freedom and comfort and happiness and sacrifice it on the Altar of Fake Covid Crises. The mask wearers literally believe they are worshiping something greater than themselves, and it gives them a sense of purpose they could not find when not wearing a mask.

This gets to another and bigger related issue, as if there could be anything bigger. It explains why so many Democrat Party governors engaged (and are still engaged) in the heavy-handed fake and unnecessary covid crisis lockdowns and mask edicts, and also why the Democrat Party stole the 2020 election in the first place. The Democrat Party knows that a large portion of Americans have become not just complacent and lazy, but willingly, almost slavishly devoted to silly causes and fake crises, to the point where they will happily sign over all their freedom for a very shallow sense of personal fulfillment.

The Democrat Party either believes or knows that the actual resistance to their forced and unlawful takeover of America will end up being very little, if anything at all.

Does anyone remember the movie The Matrix, and how the enslaved humans were living in a make-believe world created out of chemicals and human imagination? That is what is happening now. And if we add this Matrix -style method of ruling over Americans to Orwell’s 1984, which Democrats have embraced as a how-to manual, and not as a warning against totalitarian government, we can finally understand what the Democrat Party understands and is fully implementing: Humans just want to be lied to and led.

Mask wearers say: “Free will and free choice is just too damned hard. Just point me in the right direction and I will willingly obey. Gosh that feels good to have no more friction or hard decisions to make in my life!”

And this is why mask wearers are crazy for covid.

 

“Red Flag” ERPOs are violent, dangerous, un-American

In the 2002 movie “Minority Report,” police identify and swiftly SWAT-team-style arrest potential criminals before they have committed a crime, even if they are not in the act of committing the crime. That lack of due process, the discarding of the American core value of the presumption of innocence, and the mis-use of quacky, uncertain technology to concretely deprive citizens of their liberties for crimes they did not yet commit, and possibly only imagined, is at the movie’s heart.

Like the 1949 book 1984, in Minority Report an an all-seeing, all-controlling government squashes individuality, individual rights, and free thought by criminalizing “thought crimes,” even thoughts that have not actually been implemented in the physical world. The gist of both the 1949 book and the 2002 movie being that coercive government power can be easily mis-used and that it is at the core of illegitimate governance that justifies civilian resistance and disobedience.

So, welcome to Minority Report and 1984 in your life, right now, in the form of “Red Flag,” “Extreme Risk Prevention Order” and the politically named “Gun Violence Restraining Order” (there is no such thing as ‘gun violence’). These risky programs are being slowly enacted and implemented in states across America in the name of safety.

Theoretically, both ERPOs and GRVOs are designed to get out ahead of a gun owner and send in the SWAT team before that gun owner possibly commits a crime with a gun. Like the ill-fated “No Fly List” bar to gun ownership, both ERPOs and GRVOs are designed to empower police to quickly bypass the natural due process safeguards our federal Constitution explicitly grants to each citizen, behind a screen of secrecy and unaccountable government employees, in the name of immediate if poorly defined security.

The problem with these programs is that they are failing everywhere for reasons that anyone with a shred of common sense had been and would normally employ when assessing the possible risk-benefit value of laws encouraging police to go all cowboy on people who have not actually committed a violent crime. In every place where ERPOs and GRVOs have been implemented, police have aggressively gunned down in cold blood totally innocent citizens, often in their own homes, and always in circumstances where the citizen was either not armed or was only armed because the police had acted like violent, illegal home invaders that an armed citizen would normally resist.

Their results have been exactly the opposite of stopping violence, as ERPOs and GRVOs actually encourage violence; but it’s by the government against the citizen, which ERPO proponents want.

These programs are the anti-gun activist’s dream come true, as the true purpose of ERPOs and GVROs is to generally stigmatize all gun ownership and all individual gun owners by creating an automatic suspect class. Almost all of these programs enable pretty much anyone to call the police and “SWAT” some gun owner the person doesn’t like, doesn’t agree with politically, has a property line dispute with, wants to make an example of etc. “SWATTING” is where someone calls in a bogus threat to a local police department, identifying someone who is actually innocent and unsuspecting that in mere minutes his door is about to come crashing in with a heavily armed SWAT team who thinks he is holding a hostage with a gun to the head.

  • ERPOs and GRVOs are the legalization and encouraging of SWATTING.
  • ERPOs and GRVOs are dangerous; they promote violence, especially against innocent people.
  • ERPOs and purposefully anti-gun-named GVROs are a direct threat to all American citizens, because due process is thrown out the door from the very beginning.
  • These are back door channels to criminalizing gun ownership, mass intimidation and big government control over peaceful, law abiding gun owners.
  • They are purposefully vague, potentially random, and are more than anything a NAZI Gestapo tactic to bully law abiding gun owners into relinquishing their guns out of fear of being dimed out for some imagined, fake crime.

Why are ERPOs and GRVOs happening? They are becoming popular because due process has gone out the window since Obama was elected in 2008. Obama ran an increasingly abusive government without a shred of respect for the rule of law or due process, and his big government admirers everywhere followed in his step. The result has been that any part of any government anywhere, at any level, that is controlled by Democrats has 360 degree unfettered reach and scope. And on the flip side, any part of government run by Republicans is automatically suspect and subject to endless questioning and investigation and blocking by over-reaching federal judges and bureaucrats.

It is how the Mueller investigation has worked, with its vague accusations of “obstruction” against people who had not and could not have committed any crime in the first place. Without a crime, there can be no obstruction. Roger Stone has been bankrupted for the ‘crime’ of being a political supporter of a president Mueller hates.

This is how the communists took control of Hungary and probably other European nations. They used unproven accusations, which became procedural abuses, to ensnare political opponents, who were then railroaded in the criminal justice system. Just as Mueller has done to his victims.

Democrats today are employing the same exact tactics as the European communists to gain political power the voters would never grant them at the ballot box. These tactics should be illegal and punishable by existing law, but the opposition party, the GOP, is spineless and weak, filled with self-dealing careerists. The culture change following in the wake of Obama’s anti-individual rights big government power grab has shifted in favor of anti-freedom control freaks. They like ERPOs and GVROs, because they suit their tactics, and the Republicans either enable them, empower them, or sit out the fight because there is no money to be made in it.

Do not allow ERPOs, GRVOs, or their derivations into your community or state, because these are undemocratic breaches of the public trust in a government that is supposed to serve its free people.

As a post script, the other big problem is what happens with someone’s legally owned guns when they are confiscated by police. Quite often they are stored under terrible conditions that either badly damage or destroy the firearms. And often the police refuse to honor the law and return the firearms to the citizen after he has been cleared. Moreover, the police often steal or sell confiscated guns, and there is little or no recourse for the citizen to be justly compensated for what has been essentially an unconstitutional taking of private property by government.

America should be going in the direction opposite of ERPOs, GRVOs, and their secret courts where accused people have no right to defend themselves and are presumed guilty. Our founding principles of limited government power, government transparency, and government accountability demand it.

Galileo before the Inquisition’s Secret Court. Is American due process really going backwards to the Dark Ages? 

Couldn’t have said it better meself

My sympathy to those murdered in Chapel Hill. But it’s not a hate crime.

Hate crimes seem to end up being thought crimes, per George Orwell’s book about all-controlling government, 1984.

There’s a piece at Breitbart about it, here , and at uncommonsense66.